Old Masters Evening Sale

Old Masters Evening Sale

View full screen - View 1 of Lot 24. An evening landscape with drovers and their animals by a river 《傍晚風景:河邊的牧人與牲畜》.

The Property of a Private Collector

Nicolaes Pietersz. Berchem

An evening landscape with drovers and their animals by a river 《傍晚風景:河邊的牧人與牲畜》

Auction Closed

December 8, 08:20 PM GMT

Estimate

250,000 - 350,000 GBP

Lot Details

Description

The Property of a Private Collector

Nicolaes Pietersz. Berchem

Haarlem 1620 - 1683 Amsterdam

An evening landscape with drovers and their animals by a river


signed lower left: Berchem f.

oil on canvas

72.5 x 97.5 cm.; 28½ x 38¼ in.


私人收藏

尼古拉斯・彼得斯・貝爾赫姆

1620年生於哈勒姆,1683年卒於阿姆斯特丹

《傍晚風景:河邊的牧人與牲畜》


款識:藝術家簽名Berchem f.(左下)

油彩畫布

72.5 x 97.5 公分;28 ½ x 38 ¼ 英寸

Lucas Merens, Burgomaster of Hoorn and Director of the Dutch East India Company;

His posthumous sale, Amsterdam, Ploos v. A., Yver, 15 April 1778, added lot 175a, for 250 florins to Cornelis Ploos van Amstel;

J.T. Batt, New Hall, Salisbury, by 1834;

Thence by inheritance or sale at New Hall to Major General Buckley by 1853;

By presumed inheritance to Alfred Buckley, by 1883;

By whose Executors sold London, Christie's, 4 May 1901, lot 24, for 231 guineas to Colnaghi;

With P. & D. Colnaghi, London;

With Hans M. Cramer, The Hague, by 1957, and in 1964;

A. Sutter, Mannheim, by 1965 until after 1978;

Private collector, Germany, by whom acquired shortly after 1978 and certainly by 1994 (offered New York, Christie's, 12 January 1996, lot 198);

By whom sold (‘The Property of a Private Collector’), London, Sotheby's, 7 December 2005, lot 13, for £400,000;

There purchased by the present owner.

J. Smith, A catalogue raisonné..., vol. V, London 1834, p. 81, no. 252;

A. Graves, A Century of Loan Exhibitions 1813–1912, London 1913, vol. I, pp. 60 and 62;

C.Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke..., vol. IX, Esslingen/Paris 1926, p. 179, no. 449;

‘Notable Works of Art now on the Market’, in The Burlington Magazine, vol. XCIX, no. 651, June 1957, reproduced pl. IX;

E. Schaar, Studien zu Nicolaes Berchem, dissertation, Cologne 1958, p. 69;

A. Blankert, Nederlandse 17e Eeuwse Italianiserende Landschapschilders, Soest 1978, pp. 162–63, no. 83, reproduced pl. 85;

P. Sutton in The Golden Age of Dutch Landscape Painting, exh. cat., Madrid 1994, p. 80, no. 83, reproduced in colour;

L. Harwood in Inspired by Italy. Dutch landscape painting 1600–1700, exh. cat., Dulwich Picture Gallery, London, 2002, p. 140, no. 31, reproduced in colour p. 141;

P. Biesboer and L. Pijl in Nicolaes Berchem. In the Light of Italy, P. Biesboer (ed.), exh. cat., Haarlem, Schwerin and Zürich, Haarlem 2006, pp. 24, 140–41, no. 31, reproduced in colour opposit p. 65;

P. Biesboer, De Gouden eeuw begint in Haarlem, exh. cat., Haarlem 2008, pp. 70–71, 177, reproduced fig. 45;

P. Biesboer, Frans Hals und Haarlems Meister der Goldenen Zeit, exh. cat., Munich 2008, pp. 70–71, reproduced p. 70, fig. 45.